Recording: by Vladimir Horowitz
Score: From IMSLP
Lecture points
Review sheet for Chopin and Polonaise
Chopin
- a prodigy, wrote exclusively for piano or piano-containing works
- toured Europe as a pianist, performed and taught in private circles after settling in Paris
- long tumultuous relationship with Aurore Dudevant (George Sand), enjoyed her financial support
- poor health, contracted tuberculosis on island of Majorca, died young
Chopin’s music
- Poland was partitioned (split between different states), largely under Russian rule
- expatriate (Polish in exile), took Polish folk music as inspiration for his much more complex works
- dense style with polyphonic elements, wrote 24 preludes in every key as a hommage to Bach
Polonaise, opus 53
- Polonaise: a stately Polish dance with the rhythm “tatiti tata tata” (triple meter)
- highly elaborated and stylized by Chopin
- chromaticism: “colors” (Greek), use of key areas distant from the key signature
- third relations, unconventional harmonies and harmonic motions, especially in relating different sections
- straightforward ternary forms
- rubato: “robbed time” (Italian), giving expression to the music by playing outside strict tempo
- written in or interpreted in performance, typically involves freedom of melodic right hand from left
- nicknamed “Heroic” polonaise by George Sand