Lecture points
                            Review sheet for Baroque era
                            Baroque era background
                            
                                - the Baroque is a reaction to Renaissance logic, order
                                    
                                        - the Renaissance revived interest in the classics (classicism) knowledge, exploration, and the sciences
 
- polyphonic texture: music with multiple melodic lines playing at the same time
                                    
                                        - another term for polyphony is counterpoint (pitting notes against each other “point against point”)
- Renaissance music was full of orderly and rational polyphony, which persisted into the Baroque
- however, the Baroque began a move from polyphony to homophony to portray…
 
- the Affections: affections are stylized emotions such as sorrow, jealousy
                                    
                                        - this idea came from ancient Greek and Roman (classical) rhetoric (how to speak in public)
- each piece of music should be unified around a single affection, and the best way to convey this is…
 
- homophonic texture: music with a single melodic line and harmonic accompaniment
                                    
                                        - instead of writing full accompaniment parts, Baroque composers developed the technique…
 
- figured bass: a type of music notation involving a written bass line with numbers over the notes to indicate the intervals of the chord to play on top
                                    
                                        - the practice of playing, or “realizing”, the full part from the figured bass is known as…
 
- basso continuo: an accompaniment part that was primarily improvised over figured bass
                                    
                                        - typically played by keyboard instruments, and if multiple instruments are used they are part of the “continuo group”
 
Patronage
                            
                                - most musicians were employed either by the church or the state
- the Roman Catholic Church was a huge political power in Europe that owned land and collected money (tithes)
                                    
                                        - musicians were needed to perform in Mass on all the important liturgical holidays of the year
 
- individual families and figures in nobility hired musicians as part of their staff
                                    
                                        - this patronage system guaranteed musicians a steady income in exchange for music around the household or court
 
- musicians were considered craftspeople producing goods to meet a demand
- music was a central part of life in the Church and among the nobility, but individual pieces were not highly valued